Anonymous 11/19/2019 (Tue) 13:37:21 No.38588 del
>>38587 PART 2

Why do satanist pedovores parade their pathology in front of us? When we see Tony Pedosta, John “Skippy” Pedosta’s brother's sculpture we do not understand consciously what we are seeing is a gold leaf covered model Dahmer’s homosexual torture victim. What effect does seeing something we don’t consciously understand or necessarily recall having seen have on us?

A lot. This is the “secret” of the effectiveness subliminal and subsonic embed programming. Words and images we don’t know that we’ve seen are perceived by the unconscious component of our minds. We know this because tests using subliminal embeds not consciously seen still raises our blood pressure, increases our pulse rate, and fMRI studies show that these unperceived influences activate portions of the brain associated with memory and emotional trauma. We *do* understand sex and death images unconsciously and traumatic images are retained in memory below the threshold of conscious awareness to influence our future behavior over time. Images of sex and violence in unconscious memory affect us like PTSD caused by real world exposure to rape, torture, child pornography or physical trauma.

Information War or IW operations target the unconscious mind. This “witchcraft” works best when we are *not* aware of images we’ve been exposed to subliminally or even that we are being targeted at all.
Sculpture of Dahmer’s torture victim is presented at galleries and in publicity as fashionable, highly sought after, rare and precious work collected by knowledgeable, prominent people like Tony and John Pedosta.

satanist’s social subversion/sabotage operations exploit our strongest social conditioning. Art world institutions, galleries and foundations are trumpeted as the highest form of philanthropy and criticizing them is not just foolish it’s ungrateful. Art is a satanist controlled industrial market. Since the days of Bernard Berenson art has been used to create and launder money to authenticate forgeries and to smuggle antiquities. Big art shows and exposition are used to emotionally prime us for coming events, to predispose individuals and groups to adopt preferred attitudes, practices or behaviors in a multitude of social dimensions; while, at the same, generating enormous profits, tax breaks and (through school outreach programs) providing access to children.

https://www.artforum.com/diary/linda-yablonsky-at-the-la-moca-gala-29517
https://www.crazydaysandnights.net/2018/07/blind-items-revealed-14_5.html
http://washingtonlife.com/2015/06/05/inside-homes-private-viewing/