>>230
Nigger admin and fujoshi plus traps

>>266
Lol he straight-up deleted the entire website for shits and giggles a few days ago, and he doesn't even own it anymore.

>>268
It's just like what happened at /librejp/
Why do people do that?
Why people like that exist?

>>273
Trannies are mentally unstable faggots, what do you expect?

Hell the BO of this is rumored to be a Tranny Admin from Lain Chan.

Good Cyber Boards are rare, and distributing them across the internet reduces risk of good content getting caught up in politics.

>>320
<ded board
carrots

The saving grace might have been if she got her tits out. All they did was take an amazing film and ruin it for normies.

>>224
All the jap actors are terrible and talk stupid. Scarlett did a good job

>>269
>defending a fat kike
>defending needless white washing of a product

I wish Shingeki no Kyoujin was handled by Hollyjew.

>le whitewashing
>original motoko has gray eyes and is 1,80 m tall
>major is a fucking robot and becomes little girl in the end of the anime
>character artist is fucking lesbian hentai mangaka and Oshii didn't ever imply Kusanagi had japanese appearance
butthurt murican chink detected
In the movie she is not Motoko in the beginning. She has a makeup that makes her eyes look slightly asiatic.
but movie is shit still, they didn't find actual japs to play confirmed japs like Togusa and Batou, the cgi is really awful, the didn't bother with creating a new city, they just slapped some olograms on HK skyline, and fat jewess is too old to play such role (there are some scenes without cgi where you can see her fat belly), but she is recognizable worldwide and I really doubt there are japanese actresses with enough skill and english knowledge (lipsync dubbing is not a common practice in hollywood).

I know this is a little off topic but when I read this, it struck me as very cyberpunk-esque so I thought I would share:
"All unintellectual labour, all monotonous, dull labour, all labour that deals with dreadful things, and involves unpleasant conditions, must be done by machinery. Machinery must work for us in coal mines, and do all sanitary services, and be the stoker of steamers, and clean the streets, and run messages on wet days, and do anything that is tedious or distressing. At present machinery competes against man. Under proper conditions machinery will serve man. There is no doubt at all that this is the future of machinery, and just as trees grow while the country gentleman is asleep, so while Humanity will be amusing itself, or enjoying cultivated leisure – which, and not labour, is the aim of man – or making beautiful things, or reading beautiful things, or simply contemplating the world with admiration and delight, machinery will be doing all the necessary and unpleasant work. The fact is, that civilisation requires slaves. The Greeks were quite right there. Unless there are slaves to do the ugly, horrible, uninteresting work, culture and contemplation become almost impossible. Human slavery is wrong, insecure, and demoralising. On mechanical slavery, on the slavery of the machine, the future of the world depends. And when scientific men are no longer called upon to go down to a depressing East End and distribute bad cocoa and worse blankets to starving people, they will have delightful leisure in which to devise wonderful and marvellous things for their own joy and the joy of everyone else. There will be great storages of force for every city, and for every house if required, and this force man will convert into heat, light, or motion, according to his needs."
Oscar Wilde - 1891
The quote is from "The soul of man under socialism" and he talks about socialism but clearly describes that what is needed is individualism, an awakening of each and every man.

Do Androids Dream...is definitely worth the read. Dick is a far out author, but that's one of his best. I'd also recommend VALIS if you like it.

>>188
No he is being literal. Read the other books: Count Zero & Mona Lisa Overdrive

>>186
>Why did Molly leave?
William Gibson deliberately did it on purpose: to prevent him from writing a sequel, he wanted the story to end completely.


>>279
>Count Zero & Mona Lisa Overdrive
Yes, it later turned out that he was not only continuing to extend the story arc but it even became a trilogy...

Oh I have to reread these. Thanks for the reminder.

wow that looks awesome
.
.
.
but it took alot of autism to build this

>N-O-D-E
*strong britbong accent intensifies*
>commodore case
>chiclet keyboard
ugh oh okay
>Raspberry Pi
y-yes?
>Chatsubo sticker on a cyberdeck
Is that an ironic equivalent of having Starbucks sticker on your fagbook?
>no joystick, trackball, trackpoint of touchpad

>>281
Thank you.

>>280

Thank you for this wisdom.
In this moment I am euphoric, not by any phony FCC's blessing, but because I am enlightened by the neural net.

Day is pretty bleak as usual, cyberpunk is now.

BO is a huge SJW so my webms are going to get deleted.

I live in a mold ridden dump amongst thugs and pushers, growing what I can to cope with food prices and rent.

I long for a VR sim that lets me live in a world with no one else in it.

Idk about the best one, but the Lain game for the PS1 looks like shit animated by Toei.
https://youtube.com/watch?v=TkXzOlytPME [Embed]

I know it's proprietary, but it's Deus Ex. Has to be. I played that as a young eager teen when it first came out and it fucking blew my mind. Blew, my, mind. The writer/designer was so fucking cyber pilled. I am a conspiracy nut ever since.

>>235
>it's Deus Ex. Has to be.
Babby's first /cyber/ game is by no means the best. It's good at telling a story, but that's about it.

>>238
>offers no alternative
How about the best at telling a story, it even beats Beneath a Steel Sky which I rate very highly.

E.Y.E. Divine Cybermancy