Justice Minister Moro resigned. He is immensely popular and was doing a good job. There have been high-profile arrests and in 2019 the number of murders dropped by 10 thousand compared to the previous year, a decrease of a fifth. This is a result of many factors: in the Northeast cooperation among cartels reduced violence, but the reduction happpened in other states. Legislation wasn't a factor as there was next to no real change in this regard. He retains much prestige despite the scandal with his leaks, eternal hate from the left due to being Lula's nemesis and repeated disempowerment of the anti-corruption struggle by Congress and the Supreme Court.
What caused this was Bolsonaro's elimination of Federal Police director Maurício Valeixo, who had been picked by Moro. In his final address he noted that:
-There was no legitimate reason for this as he had been effective in his post
-This was a violation of the promise Bolsonaro made upon naming him Minister, that he'd have freedom to handle subordinates
-Bolsonaro also intends to replace a subordinate of the director, the Rio de Janeiro superintendent, and possibly other superintendents, which goes against his spirit of giving autonomy to subordinates
-A replacement now would create confusion and harm the Federal Police's functioning
-Bolsonaro personally told him this was a political choice

Why political? He did not say this straight, but what everyone says is that it was to protect Bolsonaro's sons from investigation, and hence why the Rio de Janeiro superintendent is also involved. Their corruption accusations are petty for Brazilian standards but what's bigger are accusations they might be tied to militias. As always Bolsonaro's sons are his priority. This behavior doesn't come out of nowhere as he has few contacts in Brasília, having lived his career in the sidelines, and many reasons to be distrustful. Moro isn't someone he has a reason to distrust but his sons still came first.

Since the previous thread is autosäging, here's the new one.

This little faggot is making covers for all kinds of popular music.
https://youtube.com/watch?v=0Gd-jNKhTC8 [Embed]

Previously Venezuelaball posted some songs of a sludge metal band, Acid Bath. Managed to put my hands on some of their songs. Here's a couple I liked.

The previous thread is at 499 posts, on the brink of autosage. So I open up a new one, because I have a thing to discuss as well with Bernd. But first thing first.

Finally I wanna watch these in their entirety, a series of Japanese films from the 70s The Yakuza Papers or Battles Without Honor And Humanity - which is also the title of the very first one.
I think the first five (what I'm planning on consuming) cover one full story, based on an OG yak's memoirs, published in a newspaper first. Then they made another three in the 70s, all standalone, and three more, two of them in this millennia.
They are in a certain subgenre of yakuza movies, which were fresh breeze at that time with their more realistic narrative and breakup with the "honorable samurai" romanticism of the previous era. They are also filmed in a documentary style, with handheld shaky cameras, and sometimes they even timestamp certain events as the movie plays - as far as I can tell based on the first one which I seen (but will rewatch).

There was no Kohlzine on October because Casey was hidden.
But now we are back, even more autistic than ever and featuring some illustrations by Russian bernd.

We are waiting for your OC and text (any content, really) submissions on our mail: kohlzine@tfwno.gf
If KC doesn't die by then, lucky #13 will be our ANNIVERSARY issue, so expect lots of quality content(well it depends on your input too, kinda), KC posters, copypastas and more.

Enjoy

t.kohlzinegarchy

I've already mentioned the book titled On Killing - The Psychological Cost of Learning to Kill in War and Society by Dave Grossman (Lt. Col. of US Army). It gave some food for thought and I'm planning to write some of my speculation.

But what did the author write? Let's summarize.
He starts with the observation that most men has a natural resistance to kill (only 2% of men - those who have "predisposition toward aggressive psychopathic personality" - can go on killing without becoming a nervous wreck). This resistance is so high that even at times that our life is directly threatened (like others shoot at us) still difficult to overcome it. This resistance is the reason why infantry fire was so embarrassingly ineffective in the past 300 years - with the exception of machine guns - despite the fact that infantry weaponry (rifles) are reliable and accurate enough to cause massive losses among the enemy.
The author gives examples and sources, such as a Prussian experiment in the late 18th century, several reports and notices from several authors during 19-20th centuries (American, French, Israeli etc.), and an interesting work by a US Army historian who (and his coworkers) made mass interviews with fighting GIs during and after WWII. Also he cites his own conversation with veterans of WWII and Vietnam.
He gives new ideas on what's really happening on the battlefield. He compliments the widely known fight-or-flight model with two other options: in reality the soldiers can fight, posture, submit or flight. And most soldiers choose the second option.
Then he ponders on what enables killing (I'm gonna write more about this later) and how modern (post-WWII) armies achieve this. Then he compares these methods with the ways of contemporary mass media. His conlcusion is (after pointing out the exponential rise of violent crimes) that mass media has an undesirable effect on society.

What interesting for me is this resistance, and the enabling part. These things are actually give an entirely new way of looking warfare, and how and why battles were won.
For example the part officers (the demanding authority to kill) play in the enabling. When people (professional historians, history pros and other armchair generals) comparing the Hellenic phalanx with Roman manipulus and why the latter was more successful they compare everything but the officers. In the phalanx he's only one among those who stand in line and do the poking with pikes, but a Roman officer is one outside the formation and pressuring the soldiers to kill. It makes a huge difference if someone shouting in your ears "stab! stab! stab!" and generally pressuring you to kill. Especially if this one person is an exemplary one, a veteran whose skill in killing surpasses all the others in that particular unit. However noone talks about this because noone thinks about it.

I'll continue this sometimes, maybe only next weekend, we'll see. If you wish to read the book you can probably find it on libgen.

As I promised I'll write about this book.
It's quite lengthy but you'll reach the end if you read at your own pace. Most of the book isn't dense for me, an economic layman, with the exception of the parts about trade, which left me confused. I'll write what I manage to understand.
The author wrote it to argue in historiographical debates and make some points, but I read it just to add to my historical knowledge.

I'll write in sections, at most one a day so Bernd doesn't get overwhelmed, and will try to make the sections more thematic rather than just a sythesis of each chapter, as Hitler himself suggests in Mein Kampf for how one should mentally organize knowledge. I want to write about:

-Trade and controls of foreign currency and raw materials
-Budgets and revenue
-Agrarianism
-Businessmen and workers
-Consumer goods
-The fate of different industries
-Rearmament
-General progression from 1933 to 1939

If I give up on writing I hope at least to cover the prewar period. I also hope to write on:
-Armaments priorities until 1940

Polandball thread?
Polandball thread?

I have some comics saved up that I wanted to upload here. Enjoy. And remember to like, r8 and subscribe for more content

Since the previous reached bump limit.

Played some moar Atom RPG. I don't really have any coherent text drafted but some impressions, moments and such.

This game is depressing. It's like they extracted all the misery of the Soviet Union, ground it, added a hint mutants and monsters, then crammed it into one misery-sausage. Ofc there are funny lines and situations in there, always when you least expect. And you never expect them because the whole thing is so depressing.
NPC interactions are animated nicely. Heart warming meeting of father and daughter. Then they started to gossip about me.